Towards New Worlds : A care based practice As part of the research for Towards New Worlds I was awarded an Arts Council England grant to research disabled artists practice, the wider field and some of the issues which […]
When the BRIDGE founders, Pernilla Iggström and Christel Lundberg, were thinking about the ethos of BRIDGE and working towards the BRIDGE24 exhibition in Brixton in September 2024, they asked themselves “What keeps the English people together?, What do they all […]
We Are Invisible We Are Visible (WAIWAV) On 2 July 2022, 31 Disabled artists disrupted 30 locations with surreal interventions, in recognition of the 102nd anniversary of the first Dada International Exhibition. Dada is dead. Long live Dada! The Artist is […]
Possibly a one-off blog, but perhaps a series of posts about my work for the We Are Invisible We Are Visible project. We Are Invisible We Are Visible was presented by DASH, the disabled led visual arts organisation, and was awarded the 2021 Ampersand Prize.
Eva Kotátkova’s ‘Machine for Restoring Empathy’ installation. An autistic delegate’s perspective What must it be like to trust the universe to keep you upright? What is the cause of neurodivergent anxiety? These seemingly unconnected questions ricochet inside my head as I […]
How many times have we heard “Pop by, it would be lovely to see you”? Probably almost as many as the “How are you?’ which is often said and frequently not meant as the greeter moves on to the next […]
Summary of the independent evaluation by the University of Leicester of the DCMS/ DCSF funded national and regional museums partnership programme of education work in 2006-07.
Report focusing on practical, logistical and methodological issues involved in carrying out effective research on impacts of arts interventions in criminal justice settings.
Strengthens the evidence base for the effectiveness of the arts within criminal justice by providing a clear account of evidence and theory base for the sector as of 2005; includes visual arts and film section.
