International - Page 21 of 29 - a-n The Artists Information Company

Stefanos Tsivopoulos
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Venice Biennale: a selective process

The Venice Biennale is the world’s biggest and most important international art event. But how do the exhibiting artists get chosen to represent their country at the national pavilions or collateral exhibitions and how does the process differ from one country to the next? We take a look and find that, although in differing forms, the open call is becoming increasingly popular.

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Open Discussion HomeShop
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Artist-led spaces: an open discussion in Beijing

Manchester-based artist Maurice Carlin recently co-organised a public discussion on artist-led spaces during his current residency at HomeShop, Beijing. He reports on how it went and the issues and solutions that were raised.

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Tracey Emin, I've got it all, 2000
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How the economy made losers of us all

An ambitious new exhibition at Stills, Edinburgh, and CCA, Glasgow explores the state of Europe’s economy today and the profound changes that have impacted on us all since the banking crisis of 2008. We talk to curators Angela Dimitrakaki and Kirsten Lloyd about this landmark show.

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Caroline Monnet
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WEYA is here

World Event Young Artists brings together 1,000 artists from 100 nations for a 10 day festival that opens in Nottingham today. We profile some of festival’s visual arts highlights.

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Play
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International relations

Supporting the international activities of artists and arts organisations is a key function for many national arts funding agencies. In order to investigate this area of arts policy and identify key issues affecting the programs and priorities of such agencies, the International Federation of Arts Councils and Culture Agencies (IFACCA) conducted a worldwide survey in English, French and Spanish, the results of which have been analysed and supplemented by other research and presented in a report.

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natural snow sculpture
Resource Profile

Stuart Mayes

Following a residency in Sweden, London-based artist and blogger Stuart Mayes relocated to Stockholm. Here, he talks to Andrew Bryant about this move, working intuitively and developing confidence in his practice.

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Campaign against border controls

Rules designed to prevent illegal immigration have denied entry to the UK by international artists and performers, a Manifesto Club report says.

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with Lokal_30 (Warsaw, Poland) at Supermarket, 2009.
Resource Profile

Supermarket

Pamela Wells and Alicja Rogalska report back from Supermarket – an artist-run international art fair in Stockholm. They talk about why their own artist association Laundry attended the event, meet representatives from a vibrant artist-run culture in Sweden and beyond, and offer a sample of some of the organisations who attended.

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Curator’s forum

Launched in October, the International Curators’ Forum website supports its aim to provide an open conceptual network around emerging issues of curatorial practice in the context of key events in the international arts calendar.

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Repetition
Resource Profile

The specials project

Artist Neil Armstrong and pharmaceuticals company Specials Clinical Manufacturing talk about working towards a special commission in the latest of our collaborative relationships series.

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Untitled
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Photo festival

The largest UK annual event of its kind, Hereford Photography Festival celebrates its 18th year in 2008.

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Fictive Days
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Berlin initiatives

Berlin plays host to two events that utilise openness as a means of operation; naturally resulting in two distinctly different outcomes.

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Untitled (Foster you're dead)
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Art in Basel

The first week in June will see around 60,000 artists, collectors, gallerists, curators, and art enthusiasts from across the globe flock to the Swiss town of Basel for the 39th edition of Art Basel.

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Art Dubai result

Asia’s most important international art fair, Art Dubai held in March reported a successful second year in terms of both sales and attendance.

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Centre for British art

The Yale Center for British Art, which houses the largest and most comprehensive collection of British art outside the UK, has received $415,000 from the Mellon Foundation to support research programmes in the history of British art and culture.

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