Towards abstraction
A good day at the end of a good week. I was looking for a box of pastels that I am sure that I have somewhere, I didn’t find the pastels, or rather – before I found the pastels – […]
A good day at the end of a good week. I was looking for a box of pastels that I am sure that I have somewhere, I didn’t find the pastels, or rather – before I found the pastels – […]
Work from a community project designed to increase public awareness of Kaleidoscope Gallery
In February I received the A-N Travel Bursary to enable me to return to Mexico where I began the first stage of a new major body of work.
To comprehend the subject of cultural sexual exploitation and visually decipher it’s many constructs; I started drawing, experimenting with ink, form, the age of the girl and her poise. In figures XXXVIII the girl is alone and younger. The spots […]
The Iron on the Dress is in response to Amy Dillwyn’s first steps of divorcing societal restraints and expectations. Many times she refers to herself as molten metal, a furnace. The act of pouring molten metal over the dress alludes […]
This work attempts to expose and retell ‘her-story’ over-ruling the past and present cultural guidelines of what was important and upheld.
The animation is about to enter user testing/feedback. Where I will ask a few people to jot down times in the animation where it is either too flashy, repetitive, dull etc. So that I can polish it in editing before […]
What is my context? What is my position? These have been reoccurring questions and issues in relation to my work and how I contextualize my practice within contemporary art. I struggle to focus on what my concerns are with my […]
That physical touch and engagement that I have with materials is the driving force in my practice. This week I’ve been back in the studio playing. I started to think about how sculpture and painting coincide; and how I can […]
A blog collecting inspiration, thoughts, ideas and more; particularly cross-disciplinary practice, material agency and new materialisms
Phoebe Cummings, Flora, detail from the floor of the residency studio, Victoria & Albert Museum, unfired clay, 2010. Photo: Sylvain Deleu
Matthew Houlding’s Sons of Pioneers.
Francis McKee describes a cross-pollination between art, craft, design and architecture.