I have been developing my performance practice working with families & children in public & private, domestic spaces. In 2016 I performed #work a performance that involved my family within a domestic set where I first used a spinning plate. This was […]
This project is a continuation of the performance #work where I used the action of spinning a plate that highlighted the accessibility of this simple prop. In this blog I will document my project research & development.
The recent relocation of the Live Art Development Agency to a former Unitarian mission in Bethnal Green heralds a significant new chapter for the organisation, with new commissions, two ‘thinkers in residence’, and a search for local collaborators. Lydia Ashman finds out more from its co-founder and director Lois Keidan.
Image: Jackie Berridge Reading from my last post of my intermittent blog, I now find myself sitting in front of a log fire rather than the sun of Saskatoon. The rain is torrential and the river is rising. A great day […]
Out of the two designs Davin and I produced during my research trip to Kansas City one was successful. We developed ‘freedomination’ in response to a brief to produce a billboard design that responds to ideas of freedom, set by […]
In November 2016 artist Keith Harrison was announced as the winner of Jerwood Open Forest, a £30,000 commission opportunity to produce a new public work for a forest context. He talks to Anneka French ahead of his sculpture-cum-performance, Joyride, which will see a full-size replica of a Rover 75 ‘launched’ from a ramp in the Staffordshire countryside.
Explores the history of performance art at Tate from the 1960s to 2016.
Participants Needed! Performance Saturday 23rd September at 3pm. Corner of Spring Bank and Freehold Street. We are looking for as many participants as possible, speaking on a wide range of subjects from the size of chocolate bars to fracking and […]
For me, an artist and a coach, the question I want to respond to is one of ethics. How does a contract of trust manifest when using coaching methods outside coaching contexts? When operating as a coach I am […]
Visual and performance artist Caitlin Griffiths blogs about her experience on the a-n funded coaching course with RD1st
One half of the London-based performance company There There with Dana Olărescu, Bojana Janković argues that the economic pressures more and more artists face are ultimately shaping the kind of work that gets made, especially by emerging artists, with profound and long-term consequences.
What I’m doing now, reflections on previous work and the ideas this process germinates.
