
Shifting States
Supported by an A-N Professional Development Bursary. Learning new skills with textiles incorporating photography and found natural objects
Supported by an A-N Professional Development Bursary. Learning new skills with textiles incorporating photography and found natural objects
Vancouver-based artist and musician Rodney Graham is best known for his large-scale photographic lightbox works, in which he features in a variety of guises. A new show at Baltic, Rodney Graham: That’s Not Me, presents work from 1994 to 2017 and includes a whole gallery dedicated to his varied and experimental film pieces. Fisun Güner asks the questions.
This week’s selection of recommended shows includes Rodney Graham in Gateshead, the winner of the British Journal of Photography’s 2017 International Photography Award in London, and LA-based artist William E Jones in Glasgow.
This week’s selection includes landscape painting in Edinburgh, speculations on the impact of global warming in Trowbridge, and photographic studies of identity and gender in London.
This week’s selection includes photography and mixed-media sculptures of body parts in London, silk worms in Macclesfield and weaving in Margate.
For her Art on the Underground commission, you don’t know what nights are like?, Mitra Tabrizian has produced two large-scale billboard photographs outside Southwark station that explore the isolation and marginality of London’s night workers. Chris Sharratt finds out more.
Uninspired workings I’m back to collecting rubbish. Strangely the streets are relatively rubbish free at the moment so I will have to give it time. The reason I am back to collecting local debris is because of what I am […]
It was a crisp bright day. I had hired out a local hall in Cooksbridge to take the photograph of all the work in situ. Large canvas, mantle piece and the vessels. Jonathan Bassett was ready with his camera gear, […]
It is wonderfully clear and (very) cold evening. After two evenings of snowfall, which I spent reading the (Swedish) instruction manual for my seldom-used digital SLR camera, I thought that it would be an ideal time to go take some […]
I’m looking at portraiture for my studio practice and I’m sort of hitting a bit of a wall with it. My main discipline is photography. The concept behind the image is that “there is always something in the way of […]
Semester one complete and much work done too. And I am not stopping just because I have no access until January. There is sketchbook work I want to do, reflecting on practice, and I can prepare new work stencils etc. […]
I find it interesting how two ideas can become one. The sprayed and cockled slotted paper was headed for another collage but got hijacked by this. Probably not ready the first time (29/50) is one of my favourites in the […]
After several months of creating new work, attending mentoring sessions with Mark Devereux Projects and planning an End-Of-Residency showcase at The Gallery at St Georges, I am happy to conclude that its all made it a successful end to 2016. […]
I have a history with black squares and with lines – hand drawn but not ruled, sometimes less straight than I could easily make them – and with photos of lines. I don’t have a history with clips of nails, […]
I said I may not be able to post while I’m away but I thought it would be good to make an effort so here is After Meeting At Michael’s It Was Mayhem, number 25 of 50 Collages Before Christmas. […]
The quality of photographs for this project is mostly pretty poor and Mixing It With Maurice In The Morning, 23/50 Collages Before Christmas, is one of the worst. I haven’t got the time – or at present with collages in […]
Another direction and style for number 21, Making Up For Lost Time, using mostly my photography plus a bit of created acrylic texture complimented by found graphic material. Yes the bees are mine too!