AUDIOBLOG – Please click here I am a great writer of lists. In this period of uncertainty, disappointment, and yes, lets be frank, horror at the behaviour of certain human beings who would, if asked, consider themselves cultured and civilised…. […]
It seems the artwork that I posted yesterday was a little too optimistic. Here’s a companion piece to even things out a little:
It’s maybe off topic, since this blog is supposed to just be about the work I was making for POST’s Whitstable show the other week, here’s my voting day contribution to the remain campaign. #artistsforIN
Culture Action Europe are hosting a 72-hour ‘jam session’ asking: ‘Are artists and intellectuals obliged to engage in society and politics today?’
A new artist-focused campaign claims that British culture is stronger in Europe than out, with its recently launched website providing a platform for artists to make the case for staying in EU.
Illma Gore is facing a potential lawsuit from US presidential candidate Donald Trump’s legal team over the potential sale of her painting, Make America Great Again, which is currently on show in London.
A recent artists’ discussion at The NewBridge Project, Newcastle saw three pro-EU speakers stressing the importance of voting to remain in the forthcoming EU Referendum. North East-based artist Lesley Guy reports.
Creatives for Europe, a coalition of organisations, trade unions and representative bodies from the arts and creative industries, launched last week with a panel discussion at the House of Lords. Pippa Koszerek reports.
As part of the Saatchi Gallery’s 30th anniversary show, Champagne Life, Cambridge-based, Iranian-born Soheila Sokhanvari is one of 14 artists in the gallery’s first ever all-female show. Dany Louise discovers more about the artist and her work.
In the second of our end-of-year questionnaires, artist Gordon Shrigley – who ran as a candidate for Hackney South and Shoreditch in this year’s general election – reflects on a topsy-turvy 2015.
A Kickstarter for the Radical Renewable Art + Activism Fund, which aims to turn electricity generated by a wind turbine into a funding stream for radical art projects, has smashed its £1500 target.
Platform-London’s unauthorised Deadline Festival at Tate Modern, in protest at BP’s sponsorship of the arts, has unsurprisingly been met with restrictions from the venue but its organisers plan to carry on regardless.
Ahead of next week’s climate summit in Paris, over 300 artists, writers, musicians and actors have signed an open letter calling on world leaders to reach an agreement to halt global warming.
The findings of a recent survey into social mobility in the arts reveal that it is becoming increasingly difficult for those without financial support to break into the sector.
A host of well-known faces from the arts, film and TV are featured in the visual campaign for Panic! What Happened to Social Mobility in the Arts?
Glasgow-based artist Ellie Harrison has launched a new campaign to develop an alternative funding stream for artists by harnessing wind power.
At a recent festival in Belgium about Europe-wide cultural solidarity, artist and AIR Council member Joseph Young talked about a-n/AIR’s Paying Artists campaign. He reports on a debate characterised by politically outspoken artists and networking over mojitos in the Che Guevara tent.
The Shock of Victory exhibition at Glasgow’s CCA brings together artists from Scotland, Northern Ireland, Greece and Palestine to explore artistic responses to the post-referendum climate and broader political realities. Chris Sharratt finds out more from three of those involved.
curated by Banksy – a theme park critiquing, well, a theme park
Jeremy Corbyn, the frontrunner in the Labour leadership campaign, has expressed his support for a-n/AIR’s Paying Artists in his recently published plan for the arts.
We, Wallinger’s companions, can also now witness this event. We witness how Petit carefully traverses a point in space that events have since effaced. I am travelling back to my memory of the BBC news footage of 9/11. Wallinger is […]
With a media storm of interest, Banksy’s Dismaland opened in Weston-super-Mare on Friday. After paying a visit to the self-styled ‘bemusement park’, Laura Harris suggests we look past the witty one-liners to explore this aesthetically overwhelming, politically astute art experience.
Jeremy Corbyn, the surprise front-runner in the Labour leadership contest, has been setting out his vision for arts and culture.
