13/08/2022 so much for a methodology In 2019, I got quite aerated by a curator who was swanning around the countryside pushing a strategy for survival as an artist that could only be appropriate for a young, single graduate fresh […]
I’m delighted to announce that I’ve been awarded a micro grant from 509 Arts Transitions programme funded by Community Foundation for Calderdale to support my upcoming show at Brighouse Library – a conclusion to my artist residency at Brighouse Recycling […]
In 2015 we heard of a theory surrounding the movement of artists from Manchester city centre to create a place for production in Salford, and to think of the city centre as a place for the presentation or work. Being […]
An Additive Mix is by far the most ambitious installation I have ever made, incorporating a purpose build 10m x 5m room with infinity mirrors and 250 6ft fluorescent lamps currently at the National Media Museum, Bradford. The new […]
Charlotte Frost on some of the production activities of the Newcastle- and London-based Forma, drawing out different strands of its programme including curation, representation, initiation, distribution and public art.
Report first published in 2007 on www.forma.org.uk after an exciting year in which Forma achieved substantial growth in terms of programme, turnover and structure.
Jo Wilson explores the work of ceramicist and sculptor Amy Cooper, in particular her successful balance between business and creativity.
Hilary Williams talks to four artists about how they have developed specific products. She learns about their initial motivation and inspiration, how they developed their ideas into production and what marketing strategies they employed for these particular products.
