For NVA’s Hinterland, a derelict former Catholic seminary near Glasgow has been bathed in light and sound before it is partly transformed into a new space for art and performance.
The Walking Reading Group (TWRG) is a project that facilitates knowledge exchange in an intimate and dynamic way through discussing texts whilst walking together. For our a-n Go & See bursary, we visited Scotland and Cornwall to explore possibilities for developing the project.
Thanks to capital funding from a special regeneration fund, Glasgow’s Telfer Gallery has relocated to a new space in the city’s East End as part of the soon to open Many Studios complex. Chris Sharratt finds out more.
20 artists have been awarded prizes during the opening of the eighth annual RSA New Contemporaries exhibition, with a selection of the works due to tour from Edinburgh to Camden later this spring.
Speaking at a Glasgow Film Festival event on producing artists’ moving image in Scotland, Turner Prize nominee Luke Fowler has called for the creation of a cinema dedicated to artists’ work and experimental film.
What does it mean to be an artist and how does the romantic idea of the creative individual pursuing their passion impact on the reality of an artistic practice? At Creative Scotland’s recent Visual Arts Sector Review event in Edinburgh, Glasgow-based artist Rachel Maclean talked about this and more. Here we republish an edited extract of her provocation.
Artist Jonathan Monk crosses the boundaries between art and football by creating unique giveaway for Partick Thistle fans.
Artist Ellie Harrison’s year-long Glasgow Effect project has attracted widespread outrage on social media and in the national press, with many accusing her of ‘poverty tourism’. Julie McCalden makes a case for a more nuanced response to the project and argues the case for more, not less, public funding for the arts.
Ellie Harrison’s year-long Glasgow Effect project, which will see her only doing work within the Greater Glasgow area throughout 2016, has attracted a barrage of criticism on social media and articles in the local and national press. Chris Sharratt reports on the artist’s and project funder Creative Scotland’s response.
There’s been plenty for new BALTIC director to celebrate in 2015, from bringing the Turner Prize to Glasgow while head of Tramway, to becoming the Gateshead venue’s first female director. Sarah Munro reflects on a “rollercoaster” of a year and a new job that makes her “tingle with excitement”.
Since 15 October, artist Jo Chapman has marked her 10-week residency on Shetland with a post (almost) every day on her a-n blog. She recalls a shifting and exciting year of upheaval that saw her without a studio and ‘almost itinerant’.
The artist who represented Scotland at the 56th Venice Biennale looks back over a year of lovely memories and hard work.
The Scottish Government’s draft budget for 2016/17 sees a nearly 4% cut to Creative Scotland with further reductions to cultural collections budget and the country’s five national performing companies.
Situated on a rubble-strewn plot opposite Glasgow’s Tramway, Pollokshields Playhouse is opening its gates for film screenings in a shipping container, storytelling and soup made over an open fire. Richard Taylor visits the Albert Drive site to hear more about this community project.
The biennial art festival is aiming to raise funds for a new project and social space for the 2016 edition, with rewards for pledgers including studio visits, limited edition artwork, workshops and behind the scenes tours.
Beth Bate, director of Great North Run Culture, has been appointed head of the Dundee arts organisation.
This year’s engage International Conference in Glasgow focused on young people working with art and artists, with a remit to explore the gallery as a school, the importance of cross-disciplinary engagement, and the ethics of peer-led practice. But, as Moira Jeffrey reports, much of the lively and challenging discussion was wide-ranging and off script.
Last week, the Creative Industries Federation hosted its first event in Scotland at the newly refurbished Glasgow Royal Concert Hall. Richard Taylor unpicks some of the topics discussed during the evening’s panel discussion.
Recorded deep inside a granite mountain in Scotland, Maria Fusco’s Artangel/BBC Radio 4 commission, Master Rock, tells the story of the men who 50 years ago risked their lives to create the Cruachan hydro-electric power station, and the artist whose mural was commissioned at the site to mark its opening. Moira Jeffrey reports.
This year’s Turner Prize exhibition features work by Assemble, Bonnie Camplin, Janice Kerbel and Nicole Wermers, and is showing in Scotland for the first time in its 31-year history. Chris Sharratt reports from Glasgow.
The Shock of Victory exhibition at Glasgow’s CCA brings together artists from Scotland, Northern Ireland, Greece and Palestine to explore artistic responses to the post-referendum climate and broader political realities. Chris Sharratt finds out more from three of those involved.
Glasgow International, the biennial festival of local and international contemporary art, has announced highlights of its 2016 programme.
Talbot Rice Gallery’s TRG3 programme provides space for artists to realise new bodies of work in response to Edinburgh University’s collections, architecture, and academic expertise. Richard Taylor talks to the gallery’s curator and two of the artists he’s been working with.
In the lead up to this year’s Turner Prize exhibition opening in Glasgow, a showcase of works by former Scottish winners and nominees will set off on a tour of Scotland in The Travelling Gallery.
The Royal Scottish Academy of Art & Architecture has announced the winners of its annual art prizes for artists working in lens-based media and water-based media, plus its annual travel award for graduates and current postgraduate students.
