Richard Taylor shares a Google document with Faye Green, a 2012 Fine Art graduate from Nottingham Trent University, who’s not afraid to pull apart her work to produce sculpture anew.
This installation was developed towards the end of my Undergraduate degree show in 2012. I used the platonic solid of a Dodecahedron as a reoccurring motif in many of my short stories. It represented the contradictions in science between the […]
Flora Parrott, Pressure In/Pressure Out (detail), hand-beaten copper and honey, 60x60cm, 2009.
Lilah Fowler, tube, dimensions variable, aluminium, 2011. Courtesy of the artist and Bold Tendencies.
Poppy Sebire, London
2 September – 1 October
James Rigler, Chatsworth Table, ceramic, marble, wood, steel, gold leaf, rope, 2011. Courtesy: Chatsworth House
Arron Kuiper, Box 8, oil paint, aquagel, glass vitrine, 2011.
Ben Washington, We’re Being Kept Informed As The Situation Unfolds.
Chantal Powell, Siren, bird cage, metallic.
Sogol Mabadi, Belt (Unbelt), performance, 2010.
Simon Morse, Little Bastards, dial, LED, switch, vinyl, acrylic and transfers on aluminium unit, 26x16x9cm, 2009.
Kerry Jameson, Conflict.
Glasgow’s museums, galleries, streets, bridges and hidden spaces will showcase the work of national and international artists when Glasgow International Festival of Visual Art returns in April 2010, building on the success of the 2008 Festival.
Haroon Mirza, Adhãn (detail), 2009. Courtesy of Lisson Gallery.
Profiling studios and facilities around the UK.
It’s Hard To Make a Stand by Steve Bishop
Michael Shaw discusses his recent residency at Davy Markham engineering in Sheffield, and works that have resulted from his use of computer aided design and rapid prototyping within his sculptural practice.
Profiling studios and facilities around the UK.
Jessica Lloyd-Jones, Pulse, blown glass, neon gas, electricity, 16x12x10cm, 2008.
Heather and Ivan Morison discuss their work I am sorry. Goodbye. as featured on the cover of this month’s a-n Magazine.
Edinburgh Sculpture Workshop, Creative ambition 2 and ixia.
We are self-employed sculptors with wide experience making artworks for the public realm.
Although it is sometimes considered that having an individual studio space is the aspiration of artists, for those who need to use expensive specialist equipment for a limited or specific period, gaining access to a workshop facility with technical support to hand is sometimes the better option.
Edinburgh Sculpture Workshop
19 July
When asked the awkward question “What is your work about?” I have sometimes given the elusive answer, that it is an enquiry into what goes on “behind the net curtains”.
