2018 – How was it for you? #7: Robert Leckie, director, Spike Island
Robert Leckie moved to Bristol’s Spike Island earlier this year after nearly a decade at Gasworks in London. He looks back with pride on an exciting and eventful 2018.
Robert Leckie moved to Bristol’s Spike Island earlier this year after nearly a decade at Gasworks in London. He looks back with pride on an exciting and eventful 2018.
The Montserrat-born British sculptor Veronica Ryan has had a lively year marked by an important residency in St Ives, a first trip to the Caribbean since she was a child, and in November being announced as the third recipient of the annual Freelands Award for women artists.
Bristol-based institution is third recipient of £100,000 award designed to enable regional arts organisations to present large-scale exhibitions by mid-career female artists.
Five recommended shows from across the UK, ranging from a debut Scottish solo show at Glasgow’s Transmission Gallery to Christian Marclay’s world-renowned film installation The Clock at Tate Modern, plus exhibitions in Bristol, Southampton and Birmingham.
Written by Artangel’s James Lingwood and Henry Moore Foundation director Godfrey Worsdale, the just published ACE-commissioned report followed last June’s ACE NPO announcement which saw Bristol’s Arnolfini and Situations lose their funding.
News briefing with national and international stories, including: Yinka Shonibare lends support to new creative awards set up in response to Brexit; LA’s Museum of Contemporary Art fires its chief curator; H&M drop lawsuit against street artist following outcry.
This week’s selection of recommended shows includes a cabinet of curiosities at Whitechapel Gallery, London, an exhibition inspired by Virginia Woolf’s writings at Tate St Ives, and a reimagining of public sculpture and monuments at Spike Island, Bristol.
Because Rachel was not able to attend the Spike Island workshop due to a last-minute flight cancellation, she visited the Kim Yong-Ik exhibition at the Korean Cultural Centre UK in London. To follow is her 800-word article informed by Kim and […]
Eastbourne-based writer Judith Alder reflects on the work of South Korean artist Kim Yong-Ik, in the sixth of eight pieces informed by seeing the artist’s exhibition, ‘I Believe My Works Are Still Valid’, at Spike Island, Bristol As young artists, we rush through […]
The fifth 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the Preston-based writer Martin Hamblen. A box hanging from the ceiling, above head height. An invigilator interrupts us, […]
The fourth 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the Bath-based writer Trevor H. Smith. The writers were asked to include the following in the piece: a direct […]
The third 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the London-based writer Carrie Foulkes. For this task, the writers were asked to include a direct quote from the artist, a […]
The second 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the London-based writer Laura Davidson. As part of the task, the writers were asked to include a direct quote […]
Following the first of three workshops in the 2017-18 a-n Writer Development Programme, the participants were asked to write an 800-word piece informed by seeing the current show at the gallery: Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’. […]
With participants based across England, Scotland and Wales, the 2017-18 a-n Writer Development Programme includes three workshops led by professional writers and editors beginning at Spike Island, Bristol in October.
With solo exhibitions at Spike Island and Modern Art Oxford, and archival work in a new group show at Nottingham Contemporary focusing on Black British art from the 1980s, Lubaina Himid’s paintings and installations are attracting both critical and popular acclaim. Fisun Güner talks to her about politics, migration, and taking on the art establishment.
I’ve been elected as co-Chair of Spike Studios, where I will join Rich Broomhall in representing the interests of 80 artists based at Spike Island, as well as fellow reps Annabelle Craven-Jones, Kamina Walton and Gina Lundy.
After a year of chopping and changing on the Spike Island sublet merry-go-round, I finally have a permanent space. I am very pleased to be in studio 26, sharing with artists Rich Broomhall and Helen Grant. Every studio and every […]
Spike Island, Bristol
15 February – 13 April 2014
Spike Island, Bristol
6 April – 17 June 2012
Spike Island, Bristol
21 January – 25 March 2012
Spike Island, Bristol
21 January – 25 March 2012