Although my practice is not technically rooted in photography, my methods for curating my most recent project ‘The Imaginary Museum’, deal with the impact of photography on the production, collection, and dissemination of art through images. These ideas originally stemmed […]
I’m now over halfway through the PhD and so far I’ve been using my time to explore different ideas and processes which, although loosely related to my topic, still feel quite disparate in approach. The common thread running through my […]
The relationship between vitrines and institutional critique has inspired my latest collaborative project, ‘The Imaginary Museum’, a direct reference to the Andre Malraux publication ‘Museum without Walls’ (discussed in week 60). Under the auspices of the Artist Book Collective, I […]