Laura Ellen Bacon
Nests and cocoon-like forms intrigue me because they are often built directly into existing structures, such as trees or architectural features.
Nests and cocoon-like forms intrigue me because they are often built directly into existing structures, such as trees or architectural features.
Outer space investigates the interface between artists’ practice and the socio-political domain. Devised and edited by Esther Salamon, contributors include Chris Batt MLA, Paul Collard Creative Partnerships, Jonathan Davis CABE, David Lammy MP Minister for Culture, Graham Leicester International Futures […]
Isabella Streffen on her own research and its relationship to the Import/Export event
Arts Council Englands 2005 annual review shows a mixed picture of efficiency savings countered by increases in costs elsewhere.
Helen Sloan looks at changing opportunities for UK artists in the current cultural climate.
Commissioned by Creative Partnerships London East and curated by Manick Govinda, Artsadmin, Art for Whose Sake? looked at ways in which contemporary art, performance and live art practices engage young people, within and outside formal systems of learning. Invited speakers […]
How education work has contributed to this studio’s success.
a-ns new year began with a fond farewell to our Editorial Production Manager, Grainne Sweeney. After working with a-n for three years shes decided to focus more of her time on other activities: Ill be spending more time with my […]
Analysis of past and current situation for artists’ fees and payments, introducing some issues for artists, employers and policy-makers to consider in the future.
Stephen Snoddy left in November as Director of the Baltic after less than nine months there. Baltic is also seeking a replacement for Chair architect-developer Alan J Smith whose term of office has expired and advertised the post of Curator […]
Artist’s jobs and opportunities 1989-2003
A-n Director of Programmes Susan Jones reviews artists jobs and opportunities over the years.
Illustrating the approach she brings to her new role at [a-n], Gillian Nicol highlights some of the challenges and opportunities for artists and their practice today, looking broadly at education and employment, status and lifestyle and the impact of widening access to technology.
David Butler discusses the shift in government policy that increasingly recognises the role of artists in contributing to ‘social inclusion’ initiatives and welcomes your response.
Within UK universities, visual artists are working across university departments in many different ways ranging from arts and health initiatives, residencies and cultural heritage projects to commissions, teaching and PhD research. Artist Steve Pool identifies some key ways artists are working within HE and considers the value of such relationships to both artists and institutions.
Bow Arts Trust is an arts education charity which provides affordable work space to artists and creative businesses in London, alongside an award-winning education programme that works with over 100 schools. This profile includes a video interview with project manager Joss Taylor, recorded at Assembly Thamesmead in October 2019.
a-n’s former External Programmes and Partnerships Manager Hannah Pierce offers advice on the benefits to artists of mentoring and coaching, and highlights some of the differences between these two approaches to interaction and personal, professional development.
Colin Hambrook provides an introduction to the history of, and current practices in the field of disability arts, including an overview of key organisations that support disabled visual artists.
The Sustainable Studio is a creative co-working space in a former munition factory in Cardiff. This profile includes a video, recorded at Assembly Cardiff, in which co-founder Sarah Valentin explains how a large warehouse space became a catalyst for working collaboratively and building creative relationships.
The Royal Standard is an artist-led gallery, studios and social workspace in Toxteth, Liverpool. This profile includes a video, recorded at Assembly Dundee, in which artistic directors Lucy Bretherton and Becky Peach introduce their roles and outline the challenges of sustaining a volunteer-run organisation for over a decade.
Artist Paul Evans discusses how his work became aligned to the research undertaken within universities and how his socially engaged practice has enabled academics and the public to better understand the nature of university research. Based on an interview by artist Steve Pool.
Having developed a practice based around working with people in a participatory manner, in 2015 Anthony Schrag completed a practice-based PhD exploring the relationship between artists, institutions and the public within participatory public artworks. He discusses his reasons for undertaking a PhD, and gives advice to artists considering this option. Based on an interview by artist Steve Pool.
What are artists’ associate programmes and what do they offer within the broad landscape of artists’ professional development? What should artists consider before applying? Based on extensive research into sixty arts organisations across England, Scotland and Wales, this guide by Dany Louise offers artists help in thinking through the various options available to them.
Fundraising is a competitive activity. This guide by Lisa Le Feuvre introduces the main funding sources and offers guidelines to help make winning funding applications.
Chris Fremantle highlights key themes and issues around collaboration making use of a-n’s extensive archive of texts on the subject.